Last Updated on March 21, 2024
President Donald Trump referenced comedian Jon Lovitz’s classic Saturday Night Live character, The Pathological “Liar,” when describing hostile anti-Trump New York judge Arthur Engoron, who sentenced Trump to pay more than $300 million in a civil case which Trump fans and stunned observers worldwide consider to be the most egregious act of politically-motivated financial ruination of an American businessman in the nation’s history. But Trump is not ruined yet, and he’s also the frontrunner for President in November’s election.
“Even though I did nothing wrong, a Radical Left New York Judge, a true Trump Hater, Arthur Engoron (Are we allowed to speak about his Unconstitutional Gag Order?), picked a number out of THIN AIR, $355,000,000, plus interest (reminiscent of John Lovitz, “The Liar,” on SNL when it was good), & wants me to bond it, which is not possible for bonding companies to do in such a high amount, before I can even Appeal. That is CRAZY!,” President Trump stated on his social media platform Truth Social.
“If I sold assets, and then won the Appeal, the assets would be forever gone. Also, putting up money before an Appeal is VERY EXPENSIVE. When I win the Appeal, all of that money is gone, and I would have done nothing wrong. The Crooked Judge, who has already been overturned 4 times on this case (a record!), fully understands this. He gave us a demand which he knows is impossible to do. This Witch Hunt, between a bad Judge and a Corrupt & Racist Attorney General, is horrible for New York. Businesses are FLEEING, while Violent Crime flourishes. ELECTION INTERFERENCE!,” President Trump said.
This is not the first time that Trump mentioned Lovitz. Previously, Trump referred to Lovit’z “Liar” character in a debate with Hillary Clinton, which Lovitz muses upon in his standup act. President Trump delivered arguably the greatest SNL hosting performance of all time during his first campaign, when he danced to Drake’s “Hotline Bling.”
Meanwhile, Judge Engoron has showbiz ambitions of his own.
Arthur Engoron, the Democrat judge who sentenced President Donald Trump to pay more than $300 million in a civil litigation judgment in New York, wrote a Holocaust screenplay called “Viktor Glaser’s Holocaust,” which refers to “Goyim” (a disparaging name for gentiles) and the Talmud religious book. The script is downright terrible, according to excerpts published on a WordPress site. Engoron has been actively trying to sell the screenplay to Hollywood in recent years, according to posts that he made in his alumni association newsletter. NATIONAL FILE presents to you some of the worst passages from Democrat judge Arthur Engoron’s awful Holocaust screenplay, which he wrote with Tom Glaser and Jill Glaser:
“DAISY
Good evening, Mr. Glaser, I’m sorry for intruding.
VIKTOR
Not at all! Why, I haven’t seen you in years, but I’m glad those years are over. Tell me, what grade are you in now?
DAISY
(blushing)
Oh, Mr. Glaser. I just graduated.
VIKTOR
What now?
DAISY
Now I am considering my options.
VIKTOR
Irwin, she’s magnificent! Why have you been hiding her?
IRWIN
Because she’s only 18. And I’m not hiding her, I’m protecting her.
VIKTOR
Maybe all too well. Protecting her from what…………or should I ask, “whom”?
IRWIN
“Whom”: Heinrich, Gunther, Otto, Jurgen and all those other brutes.”
Scene 5
VIKTOR
Is this coincidence, or fate?
DAISY
My head says “coincidence;” my heart says “fate.”
VIKTOR
Fate is funny. If you are my fate, I will laugh hard.
DAISY
And if you are my fate, I hope my parents will understand.
Scene 7
IRWIN
You’re not mature enough for love OR marriage.
DAISY
You think that because to you I am still your little girl. But I am a woman now, with the feelings that women feel, like love, and I love Viktor.
IRWIN
Well, I hope you know what you are doing, because we certainly don’t.
Scene 8
VIKTOR
Mother, Father, I have some good news and some not-so-good news.
LUDMILA
Tell us the good news first, there’s enough bad news in the air………… AND the press.
VIKTOR
The good news is that I’m getting married.
LUDMILA
ZIGMUND, PINCH ME. A CURSE HAS BEEN LIFTED!
ZIGMUND
You’re getting married? To whom? Do you have someone in mind? You can’t just GET MARRIED. You have to marry someone IN PARTICULAR.
Scene 8
LUDMILA
What’s the worst that the Nazis could do to your father and me, starve us, beat us, kill us?…………
VIKTOR
…………Exactly.
Scene 11
PAVEL
Tell me again why German boots are on Czech soil.
MAREK
Because might makes right. Uncle Adolf is a strong man who will rid us of these bloodsucking Hebrews. The German economy is humming, and the trains run on time.
Scene 21
VIKTOR
With Goyim help and Jewish hospitality, we will live like royalty! Now, which corner of the room can we have?
Scene 25
VIKTOR
Father, what’s the blessing for the burying of money?
ZIGMUND
“Please, God, let it be here when we return.”
VIKTOR
(laughing)
What would we do without the Talmud?!
Scene 31
AHRON
(speaking Yiddish)
How many people in your car died?
AMELIA
(speaking Polish)
I will never forget that stench.
ANNALIESE
(speaking Dutch)
I need a bathroom before I soil myself again.
KLAUDIA
(speaking Slovakian)
And I thought YOU packed the toilet paper.
TOBIAS
(speaking German)
Some of us fought for Germany in The Great War!
MIRABELLE
(speaking French)
You did WHAT with our money?
EDITH
(speaking Czech)
I would give anything, ANYTHING, to be back in Karvina.
Scene 41
MENGELE
Are you twins? I could use more of those. Or homosexuals? I could use fewer of those. Over there, swine.
Scene 42
FERDINAND
(talking to himself)
Mixing human ashes with horse manure makes a fantastic fertilizer. My tomatoes taste heavenly. Something good is coming out of all this.
Scene 46
HERBERT
The Hebrew Bible, the Torah, says, “Thou shalt not kill.”
ALFRED
The German Bible, Mein Kampf, says, “Kill or be killed.”
Scene 52
VIKTOR
The barbarity of these depraved people no longer shocks me. I will never forgive the Germans, and I will hate them until I die.
KAREL
May you live a long life.
VIKTOR
Why do you suppose Facism arose in Germany rather than, say, Sweden or Switzerland?
KAREL
Geography is destiny. Germany has harsh winters and rocky soil, so simply surviving is difficult. Over the centuries nationalism and militarism flourished. Or maybe the Germans are just nuts for no particular reason.
Scene 54
HAROLD
Fool, do you want to be the war’s final victim?
ASSAF
Someone has to be.
HAROLD
Walk or die.
ASSAF
What have I done to deserve death? Been born Jewish? Been circumcised? Stolen some cand? Received a red-carded for a vicious foul? Flunked algebra? Overcharged a few customers. Not converted to Christianity. Lusted for a few shiksas?
Scene 57
TILMAN
Hey old man, can you walk?
ISAAC
No, you’ll have to carry me.
TILMAN
We’re not allowed to do that.
ISAAC
Then can you at least let me die in peace?
TILMAN
No, we’re not allowed to do that, either.
ISAAC
Then go fuck yourself and go to hell, you Nazi piece of shit.
TILMAN
(after shooting Isaac in the head)
Sorry old man. But I did enjoy our brief conversation, at least until it turned crude, for what that’s worth.
Scene 60
PRISONERS
(Greek chorus style)
Americans. George Washington. Abraham Lincoln. Franklin Roosevelt. Charles Lindbergh. The Empire State Building. Broadway. Jazz. Coca-Cola. Lucky Strikes.”
According to the May 24, 2022 edition of The Wheatley School Alumni Association Newsletter, Arthur Engoron was eager to sell his awful screenplay using an agent: “Have Screenplay, Need Agent…Writes Art Engoron (1967) – Tom and Jill Glaser (1968) and I have written a screenplay based on Tom’s father’s Holocaust experiences, from Prague to the Lodz Ghetto to Auschwitz to Bavaria and, miraculously, back to Prague (including the inhumane cattle-car transports and the “death marches”). We hope, and believe, that it is worthy of being made into a “Major Motion Picture.” Does anybody know, or know of, an agent that could work with us and pitch this to Hollywood? (Much of the material is based on Tom’s father’s letter of August, 1945, included in Wheatley School Alumni Association Newsletter # 41, WHEATLEY ALUMNI NEWSLETTER # 41”
Engoron wrote in the June 20, 2022, in The Wheatley School Alumni Association Newsletter: “Have Screenplay, Contacting Agents….Writes Art Engoron (1967) – As noted in Newsletter # 71, Tom and Jill Glaser (1968) and I have written a screenplay based on Tom’s father’s Holocaust experiences. Much of the material is based on Tom’s father’s letter of August, 1945, published in Wheatley School Alumni Association Newsletter # 41, WHEATLEY ALUMNI NEWSLETTER # 41. We thank the nine Wildcats that have helped us with this. We are still looking around, so if anyone else knows an agent(s) or producer(s) who might be interested, please contact me… Initial feedback has been positive, with readers describing it as “riveting, just riveting,” and “compelling.” Be forewarned, Tom’s parents (incredibly) survive, but the story is a real tear-jerker, causing many people to stop to dry their tears before continuing to read.”
Engoron wrote in the February 5, 2023 in The Wheatley School Alumni Association Newsletter: “For some time now Tom has been speaking to high school students about the Holocaust experiences of his survivor parents, Viktor and Daisy Glaser. The following link will take you to a video presentation he gave as part of the first annual Vermont Holocaust Education Week, which is addressed to students and anyone else who might be interested…The Video takes about 20 seconds to commence; the only thing you have to do is be patient. Tom and his classmate-wife Jill Glaser and I have collaborated on a screenplay based on those experiences. If you would like a copy of it just let me know. We are working on having it turned into a movie; please let me know if you can help us do so (as some of you already have, although we still have a ways to go). Art Engoron (1967)”
The Wheatley School Alumni Association Newsletter featured a writing from by Arthur Engoron on March 2, 2023: “An aging population has become more nostalgic and has more time on its hands to compose and send memories…And not to get too personal, but I have a gym to go to, a dog to walk, a commute to navigate, four children, an inordinately active social life, and a day job of which some of you may be aware. But lately, the main competitor for “Wheatley Time” is my Holocaust screenplay, Viktor Glaser’s Holocaust, which needs more tender love and care than a vegetable garden in Maine, as I try to improve, and contemporaneously try to sell, it.”
Engoron wrote in the August 1, 2023 in The Wheatley School Alumni Association Newsletter: “I plan not to publish at all in August (and this time I mean it!). Instead, I am going to go all-out on having my screenplay, Viktor Glaser’s Holocaust, made into a Major Motion Picture. I haven’t seen Barbie or Oppenheimer, but they have some serious competition coming down the ‘pike. Feel free to submit material, but don’t expect to see it published until September. And let me know if you want a link to the screenplay, which is on-line.”
